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Flash and the Pan (album)
''Flash and the Pan'' was Flash and the Pan's 1979 debut album release. The album covers differed between the Australian, the international and United States, and UK releases (UK pictured). The track "And The Band Played On (Down Among the Dead Men)" — about the sinking of the ''Titanic'' — was released as a UK single, reaching No. 54 in September 1978. "Hey St. Peter" was released as single in the United States in 1979, and reached number 76 on ''Billboard'' Hot 100.
"Walking in the Rain" was later covered by Grace Jones, as part of her 1981 ''Nightclubbing'' album. The song was also recorded by South African icon Johannes Kerkorrel, who included it on his album ''Die Ander Kant'' in 2000.
==Critical Reception==
Reviews of Flash and the Pan’s 1979 self-titled album are ambivalent about the vocal style and lyrics, fascinated by the weirdness, but upbeat and sometimes glowing in their overall assessment. Alan Niester in the ''Globe & Mail'' calls the album “surrealistic in its detachment at times,” and “one of the strangest but ultimately finest records to surface in the seventies.” Niester concludes that the album is "the closest thing to a masterpiece we're likely to get this year, and you have to have it." 〔 Niester, Alan. “Flash and the Pan.” ''The Globe and Mail''. June 16, 1979, sec. Inside the Sleeve: Pop. 〕 David Fricke in ''Rolling Stone'' notes unfavourably the “rampant punning” and “mind games” of the lyrics, but says that the songwriters, Vanda & Young, “never underestimate the simple joy of a good hummable tune.” The same reviewer goes on to say that the album is a “flawlessly executed operetta of applied rock & roll knowledge” 〔 Fricke, David. “Flash and the Pan.” ''Rolling Stone'', July 12, 1979. 〕 Steve Simels in ''Stereo Review'' calls the album a “minor pop masterpiece” but says that the synthesizer sound “verges on Eurodisco, with some tacky New Wave organ.” Simels describes the lyrics as “frankly melodramatic () declaimed (in the verses) more often than sung.” 〔 Simels, Steve. “Flash and the Pan: Two Rock-’N’-Roll Oddballs Drop Their Aliases.” ''Stereo Review'', 1979. 〕 But Simels gives up trying to pigeonhole the record with, “Let’s just say that it’s excellent music and let it go at that.” Jon Pareles, writing for ''Creem'' says Flash and the Pan’s songs are “incorrigibly catchy” but he earlier notes the detachment of the vocal style and the insincerity of lyrics; like Simels, he counters his own criticism, saying, “() You want sincerity, go watch Merv Griffin.” 〔Pareles, Jon. “Flash and the Pan.” ''Creem'' 11 (1979): 55. 〕 Simon Frith in ''Melody Maker'' factors the experience of Vanda & Young into the album’s “pop mastery, (is ) evident in the hooks, the minor chords, the insidious orchestrations.”〔 Frith, Simon. “Flash and the Pan.” ''Melody Maker'', July 21, 1979. 〕 When Frith goes on to express doubts about the “bland monotone” of the vocals, saying that it “adds to the joke, but I’m not sure it adds to the pleasure,” he later adds, “But then I’m still listening to this LP, and Vanda and Young may be cleverer than I think, and make easy listening out of this robotic sound."
Reviews compared Flash and the Pan’s debut album to the group 10CC, albeit “early 10CC, before they took themselves seriously,” 〔 and “10CC gone maniac.” 〔 Alan Niester adds more comparisons: “a hungover Lou Reed” and “Tom Waits with a Jack the Ripper fetish.” Jon Pareles says the music is arranged “Brian Eno-style.” 〔 David Fricke notes the “shameless pirating” of The Kinks' You Really Got Me on the song, “The Man Who Knew the Answer,” and compares the vocal narrative in “California” to that in The Beach Boys’ “Sloop John B” – the result sounding like “an outtake from David Bowie’s ''Low''." 〔
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